I used to make comics. I know that because strangers would look at my work and immediately share their most excruciatingly banal experiences with me:

— that time a motorised wheelchair cut in front of them in the line at the supermarket;
— when the dentist pulled the wrong tooth and they tried to get a discount;
— eating off an apple and finding half a worm in it;

every anecdote rounded of with a triumphant “You should make a comic about that!”

Then I would take my 300 pages graphic novel out of their hands, both of us knowing full well they weren’t going to buy it, and I’d smile politely, “Yeah, sure. Someday.”

“Don’t try to cheat me out of my royalties when you publish it,” they would guffaw and walk away to grant comics creator status onto their next victim.

Nowadays I make work that feels even more truly like comics to me than that almost twenty years old graphic novel. Collage-y, abstract stuff that breaks all the rules just begging to be broken. Linear narrative is ashes settling in my trails, montage stretched thin and warping in new, interesting directions.

I teach comics techniques at a university level based in my current work. I even make an infrequent podcast talking to other avantgarde artists about their work in the same field.

Still, sometimes at night my subconscious whispers the truth in my ear: Nobody ever insists I turn their inane bullshit nonevents into comics these days, and while I am a happier, more balanced person as a result of that, I guess that means I don’t make comics any longer after all.

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Joined 4 months ago
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Cake day: November 23rd, 2024

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  • Cool project! I hope it takes off.

    One question, I know Mastodon has become a sort of market standard for the microblogging fediverse — but for people who just want a single-user/“vanity” instance, wouldn’t it make sense to offer something leaner like GoToSocial?

    Because GTS is less resource intensive than Mastodon, that could then also be an environmental argument?


  • I’m still new at this so I hope more experienced sleeve conservators can chime in if I’m wrong:

    First, do you mean an actual split seam, where the fold of the paper has weakened and torn, or just the adhesive drying out and the sleeve coming unglued?

    The first one is probably the more complicated to fix, and I’m not sure of the best procedure. To avoid too visible repairs I might try to enforce the sleeve from the inside, but it’s going to be difficult depending on where the split is, relative to the opening.

    Ungluing is easier, although I’ve only done this with albums where I don’t care much about the resale value: I’ve stuck a length of double sided scotch tape along the gluing surface to fixate the two sides. It sticks pretty well, and you don’t have to worry about drippy glue seeping out.

    I can’t say if either of those approaches pass archival muster, but as far as keeping my own sleeves in somewhat working order, they’ve worked so far.

    Edited to add: I dug around the internet and found a really thorough guide to restoring album covers. I sure got some inspiration to clean up some of my own thrift store finds!