In the first half of the film the audience is meant to think that Ripley is a heartless bitch, especially the airlock scene when she refuses to let the landing party return aboard. I’ve always thought that her saving the cat was a great narrative device to show us that she isn’t this cold, heartless person. She was doing what was necessary to save as many members of the crew as possible.
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Cake day: July 31st, 2023
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Yeah exactly, it seems like a such a shame that The Thing (1982) didn’t find its audience until years later. Because I feel like that’s as close as we got to seeing a John Carpenter film with a big budget and it was great.
John Carpenter > Steven Spielberg
I just watched the video, that’s really interesting. Thanks for the explanation
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Wouldn’t it be 3 = 6π/2π ?
27·1 year agoNo no, the Nikon incident at the waterslide hotel isn’t Canon because it comes from the expanded universe novels that were published before Disney+ bought LucasArts.
You gotta boop the snoot
I call them groove breaks, when the song takes a little break and just grooves for a bit.
The video version of Even Flow by Pearl Jam has a great one, Stranglehold has one, the album version of Sweet Emotions has one as the intro, so maybe not technically a break.
8·2 years agoHuh… the folding. I’m already mad that I can’t get a solid 5 years out of a $1200 phone, there’s no way I’m shelling out for a first wave foldy.
100% agree! RotJ is where the cracks started to show. I think people forget this because all the nonsense that followed, starting with the Special Editions, makes RotJ seem restrained in comparison.